This full-day course (10:30-17:00 with Jayne Shrimpton) is a visual Power Point presentation that provides an in-depth guide to dating, analysing and understanding all types of family portraits, from inherited paintings, drawings and silhouettes, to Victorian studio photographs and 20th century snapshots.
Accurate dating is essential when trying to identify and discover more about unlabelled family pictures and the course demonstrates how to establish an accurate time frame, using a variety of techniques and research tools. It also discusses the portrait tradition and considers the historical context in which artworks and, later, photographs were commissioned: what did these special pictures mean to our ancestors and how should we interpret them?
Morning session: Family Artworks, c.1770-1910
This session begins with a brief explanation of the origins of portraiture and charts its expansion in the later 18th and early 19th centuries, following rising demand from amongst the landed, professional and successful industrial and business classes. We look at the kinds of ancestors who may have commissioned a hand- crafted painting or drawing, how professional artists carried out their business, the comparative cost of different kinds of pictures, and the reasons why they were commissioned.
We also cover the practise of amateur art within the family, as well as the popularity of silhouettes (profile shades) in the late 18th and early 19th centuries – economical portraits that bridged artworks and the new medium of photography. Throughout the session many tips are given for dating and analysing unsigned artworks, researching artists and seeking professional help from museum curators and independent art experts.
Afternoon session: Family photographs, 1840-1940
After lunch we turn to the family photographs that were the natural successors to artworks and silhouettes – lifelike mechanical images that brought portraiture to a wider population. Beginning with the opening of the first commercial studios, this session explains the different types of professional photographs that were produced over the decades, showing how identifying the photographic format can help with dating surviving examples. We also look at how to date photographic card mounts from their shape, colour and design, how to research photographers, how to date the visual image from the studio setting and, especially, the clothing worn by the subjects – even how to recognise the occasion that may have inspired the photograph.
By the late 19th century a few families were beginning to take their own photographs at home and we follow the gradual rise of amateur photography throughout the early 20th century, encouraged by new types of user-friendly cameras. Amateur snapshots are realistic images and offer a marvellous documentary record of the past, but unlabelled prints can be hard to date accurately, so we focus closely on visual clues, especially dress, any vehicles in the picture and consider how to use modern research resources to give these images a social/historical context and bring them to life.
About the lecturer: Jayne Shrimpton obtained an M.A. (History of Dress) from the Courtauld Institute of Art and worked for seven years as an Archive Assistant at the National Portrait Gallery, London. She is now a freelance lecturer, writer and researcher and contributes regularly to ‘Family Tree’, ‘Your Family History’ and ‘Family History Monthly’ magazines. She is the author of the Society of Genealogists book, ‘ How to Get the Most From Family Pictures’, available at the Society’s bookshop.
If attending the course, you are welcome to submit up to five personal family photographs (preferably digital versions) before the date to be analyzed as part of the course, please contact us for further information. Tickets £30.00/£24.00 SoG Members, must be pre-booked and pre-paid, through our website or by telephone: 020 7553 3290. Do you have a question? email the events department. Please note this course was originally scheduled for 12 May, and has been moved to 19 May.
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